Video Producer & Editor

Rate, USD
Not specified
Work schedule
Full Time,
Language skills
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About me

Director, producer, editor, and motion designer for music videos, ad campaigns, and more. Clients include Ne-Yo, Nickelback, Dashboard Confessional, and Santana, as well as artists from Republic Records, Universal Music Group, and others. Work featured in Billboard and Alternative Press.

As a videographer of over 10 years, I’ve been responsible for crafting compelling video pitches and doing everything necessary to execute these concepts and go beyond the expectations of high-profile clientele. This includes storyboarding, shooting on various DSLR camera rigs, editing both photo and video (including retouching, color grading, VFX, and more), motion graphics design, 3D animation, and much more.

Consistently maintaining a satisfied client base has required me to have a strong sense of current design trends across major social media platforms, including YouTube, Facebook, Instagram, and TikTok. I pride myself on always staying on top of emerging trends in video/music production, marketing, and advertising.


● Ne-Yo – “She Knows” Lyric Video (50m views)
● Seven Lions – “Higher Love” Lyric Video (featured at EDC Las Vegas 2017)
● Dashboard Confessional – “KindaYeahSorta” Lyric Video

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JAN 2023 Content Producer @ Groove Productions LLC

Multimedia specialist for Groove National Dance Competition (along with their sister company, Reverb). My role as a Content Producer involves creating video and photo content at Groove events all over the US, for both Groove’s social media as well as their clients (dance studios, teachers, and dancers + their legal guardians).

At live events, I am primarily responsible for handheld videography & photography, as well as on-the-fly photo/video editing for social channels ( Instagram, YouTube, and TikTok). I also oversee & manage stationary videographer and photographer positions, which involves setting up and managing media racks (including camera switchers, laptops for multiple live feeds, memory card duplicators, etc) and other media equipment throughout the venue (TVs, photo booths, etc).

A typical Groove event will see 500+ dance entries, all of which are guaranteed one full video and 80 – 120 photos from the stationary photographer/videographer. I am responsible for organizing and sorting these files during events. Additional responsibilities include those typical of live event production — loading/unloading all Groove equipment from trucks, communicating with venue staff, setting up and breaking down equipment for multiple stations (including photo, video, audio, judging, onstage, backstage, etc.).

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