Motivated Audio Engineer with strong recording, editing, and mixing (live & studio) experience. Background as an apprentice under an established recording studio team. Effective communicator with strong organizational abilities and a passion for delivering outstanding creative services to clients.
β’ Orchestrate setup/breakdown of multiple rooms to efficiently prepare for upcoming events
β’ Manage teams of technicians to run breakout sessions to create a visible support for the
client
β’ Operate Audio and Video hardware as A1/V1 Lead Engineer during live shows to maintain
the quality of the clientβs final product
β’ Collaborate with event project managers to design and implement full audio and video
systems
β’ Set up all equipment for various event types, leaving clients with a seamless user experience
β’ Design sound systems for large and small indoor events creating an even and clear listening
experience for all attendees
β’ Perform real-time troubleshooting to ensure the equipment runs efficiently for client use
β’ Ensure space orderliness and stocking, host clients and give an orientation of the premises
β’ Offer production and post-production services to clients in various genres, work includes:
β Chano β Ease | Producer
β Qola β Last Day Of Summer | Songwriter, Producer, Mixing & Mastering Engineer
β Qola – codename:m00nlit3 |Songwriter, Producer, Mixing & Mastering Engineer
β Matthew Draughter β The Braid Boy Podcast | Producer, Recording Engineer
β Nova Rayne β Swing My Way | Producer, Recording Engineer, Mixing & Mastering
Engineer
β Create instrumentals to market and license to artists
β Build stages and rigging truss providing both the equipment and performers support for
their show
β Completely plan and build full audio system for multiple recording studios to enable a
streamlined workflow for operations
β Worked under Grammy-nominated audio engineer Michael K. Harvey (Clients include The Hot 8 Brass Band (Grammy-nominated, 2013), Shamar Allen, and Jonathon Long among many others)
β Assist head engineer during recording session with studio clients, including I/O monitoring in DAW during the recording process, setting up AVID Pro Tools session, and configuring headphone monitoring
β Apprentice in signal flow, sound design, audio recording, editing, vocal production, and mixing through direct involvement in studio sessions
β Responsible for microphone placement and connections following a predetermined signal path
β Effectively mic, record, and comp multiple instruments including live drums, guitar, and vocals