Media Engineer Career Path Guide

A Media Engineer is a specialized technology professional who designs, implements, and maintains media technology systems that enable video production, broadcasting, streaming, and content delivery. Their expertise bridges software, hardware, and network infrastructure to facilitate seamless creation, management, and distribution of audio-visual media across various platforms.

8%

growth rate

$90,000

median salary

remote-friendly

πŸ“ˆ Market Demand

Low
High
High

The demand for Media Engineers remains high due to exponential growth in streaming platforms, digital broadcasting, and live event productions. Increasing consumer consumption of on-demand and real-time media drives investment in media infrastructure and specialized engineering expertise.

πŸ‡ΊπŸ‡Έ Annual Salary (US, USD)

60,000β€”120,000
Median: $90,000
Entry-Level
$69,000
Mid-Level
$90,000
Senior-Level
$111,000

Top 10% of earners in this field can expect salaries starting from $120,000+ per year, especially with specialized skills in high-demand areas.

Core Functions of the Media Engineer Role

Media Engineers play a critical role in the evolving landscape of digital media production and distribution. They combine knowledge of broadcast equipment, software development, network systems, and video/audio processing to architect solutions that support live events, broadcasting studios, post-production workflows, and streaming platforms.

The role demands a deep understanding of media codecs, content delivery networks (CDNs), video compression standards, IP connectivity, server infrastructure, and cloud technologies tailored for media workloads. Media Engineers work closely with production teams, IT departments, and vendors to develop customized workflows that optimize content quality, reduce latency, and ensure the reliability of media streams.

With the growth of OTT (over-the-top) services and demand for high-definition, ultra-high-definition, and immersive media formats, Media Engineers must stay abreast of technological advances such as 4K/8K video, HDR, VR/AR streaming, and AI-powered content processing. Their responsibilities may also extend to system automation, scripting, and developing tools to manage media assets efficiently.

Professionals in this field often engage in troubleshooting complex hardware-software interactions, integrating various media devices, and supporting multiple protocols like SMPTE ST 2110, NDI, and RTMP. The position requires a blend of technical acumen and creativity to adapt engineering principles to the artistic demands of media production.

Key Responsibilities

  • Design, deploy, and maintain broadcast and streaming media infrastructure including servers, routers, switchers, and encoders.
  • Implement workflows for live and recorded video production integrating hardware and software components.
  • Configure and optimize video codecs, compression settings, and streaming protocols to achieve desired quality and latency.
  • Manage and enhance content delivery networks (CDNs) for efficient global media distribution.
  • Develop and maintain automation scripts and software tools to streamline media processing pipelines.
  • Troubleshoot technical issues related to hardware failures, network congestion, or software bugs impacting media services.
  • Collaborate with creative teams, producers, and IT professionals to tailor system capabilities to project requirements.
  • Ensure compliance with technical standards like SMPTE, AES, and ITU for broadcast quality and interoperability.
  • Evaluate and integrate emerging media technologies such as cloud transcoding and edge computing.
  • Provide day-to-day support during live broadcasts or events to maintain uninterrupted media flow.
  • Monitor system performance and scalability, recommending upgrades as media demands evolve.
  • Implement security measures for media content protection, including DRM and access control.
  • Document media engineering systems, workflows, and configurations for internal knowledge bases.
  • Train collaborators and junior staff on media system usage and best practices.
  • Participate in research and development efforts to pilot innovative media tools and techniques.

Work Setting

Media Engineers typically operate within dynamic and fast-paced environments such as television studios, post-production houses, streaming service providers, or live event venues. They spend a considerable amount of time in technical control rooms, server rooms, or alongside production teams during live or recorded sessions. The role requires flexibility to respond to unexpected issues during broadcasts or content delivery.

Some engineers work extensively with physical broadcast hardware and cabling, while others manage virtualized cloud platforms and software systems remotely. Collaboration with cross-functional teams including creative directors, network engineers, software developers, and vendors is a daily part of the job. Work can involve irregular hours, including evenings or weekends, particularly when supporting live events or international broadcasts requiring time zone flexibility.

Tech Stack

  • Adobe Premiere Pro
  • Avid Media Composer
  • Blackmagic Design ATEM Switchers
  • NewTek NDI technology
  • SMPTE ST 2110 Standards
  • FFmpeg
  • VLC Media Player
  • AWS Media Services (Elemental MediaLive, MediaConvert)
  • Wowza Streaming Engine
  • OBS Studio
  • Cisco and Juniper Network Switches
  • Cisco Video Communication Server
  • DaVinci Resolve
  • Python and shell scripting
  • Linux and Windows Servers
  • Nginx and Apache Web Servers
  • VMware and Docker containers
  • RTMP, HLS, MPEG-DASH streaming protocols
  • AES67/AES3 audio standards
  • Digital Rights Management (DRM) solutions

Skills and Qualifications

Education Level

Most Media Engineering roles require at least a bachelor's degree in fields such as Media Technology, Electrical Engineering, Computer Science, Broadcast Engineering, or Information Technology. A strong technical foundation enables professionals to understand both the hardware interfaces and software systems critical for media workflows.

Advanced degrees are not always required but can provide advantages in research-oriented or high-level design roles. Practical experience through internships or projects involving live production, streaming technology, or broadcast systems is highly valuable alongside formal education.

Certifications addressing related network engineering (like Cisco CCNA), Linux system administration, or specialized media technology training (such as SMPTE workshops) boost employability by affirming expertise in niche areas. Given the pace of innovation in media tech, ongoing learning and industry engagement through conferences or online resources are essential to stay current and competitive.

Tech Skills

  • Video codecs and compression (H.264, H.265/HEVC, VP9)
  • Video streaming protocols (RTMP, HLS, DASH)
  • Broadcast standards and protocols (SMPTE ST 2110, AES67, SDI, NDI)
  • IP networking fundamentals and configuration
  • Media server setup and management (Wowza, Kaltura, AWS Media Services)
  • Linux operating system command line and server administration
  • Scripting (Python, Bash, PowerShell) for automation
  • Hardware integration and troubleshooting (video routers, switchers, encoders)
  • Cloud computing concepts and virtualization (Docker, Kubernetes, AWS, Azure)
  • Digital audio engineering basics and synchronization
  • Video production software proficiency (Adobe Creative Suite, Avid, DaVinci Resolve)
  • Quality control methodologies for video and audio content
  • Content delivery networks (CDN) operations
  • DRM and media content security
  • Software-defined media workflows and multicast streaming

Soft Abilities

  • Problem-solving under pressure
  • Effective communication across technical and creative teams
  • Adaptability to fast-changing technologies
  • Detail orientation
  • Collaboration and teamwork
  • Time management and prioritization
  • Creativity in technical solutions
  • Patience and persistence
  • Critical thinking
  • Customer service mindset

Path to Media Engineer

Initiating a career as a Media Engineer requires a strategic approach that blends formal education with practical experience. Starting with a degree in a relevant area such as media technology, broadcast engineering, or computer science lays the groundwork. Selecting coursework that includes networking, video production, and programming strengthens foundational knowledge.

Internships or entry-level roles in broadcast stations, post-production facilities, or digital media companies provide hands-on opportunities to learn equipment operation, system integration, and workflow development. Early career professionals should seek to build proficiency with media software and hardware, as well as scripting skills to automate common tasks.

Certification programs from industry bodies like SMPTE or network vendors augment credibility by demonstrating specialized skills. Engaging in online forums, attending industry events, and subscribing to media technology publications helps remain current with evolving standards and tools.

Building a portfolio of projectsβ€”including configured streaming environments, automated media systems, or optimized broadcast workflowsβ€”showcases practical capability to employers. Networking with professionals in related roles may open doors for mentorship and job referrals.

Continuous learning is vital; as media technology rapidly evolves, staying informed about new codecs, protocols, and cloud-native solutions defines sustained success. Positions tend to become more senior with experience, leading to responsibilities in system design and innovation.

Required Education

Educational pathways to become a Media Engineer start with a bachelor's degree in media technology, electrical engineering, computer science, or similar technical fields. Programs that combine theoretical knowledge with practical labs in video/audio engineering, networking, and software development provide balanced preparation.

Institutions offering specialized majors or tracks in broadcast engineering or digital media systems are highly valuable. Coursework should cover signal processing, IP networking, operating systems, media production techniques, and scripting languages.

Several certification options complement formal degrees. Cisco’s CCNA and CCNP certifications enhance networking expertise crucial to modern IP-based media environments. Linux Foundation certifications demonstrate proficiency in administering servers and open-source tools widely used in media workflows.

Certifications from SMPTE or the Society of Broadcast Engineers (SBE) focus on industry-specific standards and can distinguish candidates for broadcast-centric roles. Training in cloud platforms such as AWS (especially their media services) or Google Cloud provides skills essential for the future of scalable media infrastructure.

Workshops and short courses on live streaming platforms, content delivery networks, and media automation scripts are widely available online, allowing professionals to upskill continuously. Hands-on experience with relevant tools and software during education projects or internships builds confidence and practical knowledge.

Participation in hackathons, media technology clubs, or co-op programs also adds to applied skills, while graduate degree programs focusing on media systems, signal processing, or multimedia computing deepen expertise for those seeking advanced research or leadership careers.

Career Path Tiers

Junior Media Engineer

Experience: 0-2 years

At the entry level, Junior Media Engineers focus on assisting with the setup and maintenance of broadcast or streaming systems. They work under supervision to troubleshoot hardware-software integration issues, run quality checks on media content, and support live event operations. Learning protocols and industry standards forms a major part of their development. Junior Engineers also spend time scripting basic automation tools and gaining familiarity with video codecs and networking fundamentals while building their practical expertise.

Mid-level Media Engineer

Experience: 3-5 years

Mid-level engineers take on greater responsibility designing and optimizing media workflows. They independently manage equipment configuration, network setup, and custom automation. Collaboration intensifies with production and IT teams to ensure seamless integration of media technology. Troubleshooting becomes more complex, often addressing latency and scalability issues. Mid-level engineers are expected to mentor junior staff and begin participating in system upgrade planning and vendor selection.

Senior Media Engineer

Experience: 6-9 years

Senior Media Engineers lead the architecture and strategic deployment of media infrastructure in advanced production or streaming environments. They handle cross-platform integration, implement new technical standards, and direct large-scale system migrations. Leadership of technical teams and frequent coordination with stakeholders in creative and management areas are key. Seniors drive innovation through research into emerging media technologies such as AI-enhanced workflows and cloud-native architectures.

Lead Media Engineer / Technical Director

Experience: 10+ years

Leads oversee entire media engineering departments or major project initiatives. They define long-term technology strategies aligned with business goals and manage multi-disciplinary teams of engineers and developers. Technical Directors engage in vendor negotiations, budgeting, and high-level troubleshooting beyond day-to-day issues. Their influence shapes broadcast and streaming policy across organizations, and they act as thought leaders in adopting cutting-edge media technologies and standards globally.

Global Outlook

The role of Media Engineer is increasingly global, as the demand for live streaming, OTT services, and digital broadcasting transcends borders. North Americaβ€”including the U.S. and Canadaβ€”remains a major hub with many broadcast networks, media houses, and tech companies investing heavily in digital media infrastructure. West Coast tech centers such as Silicon Valley and Vancouver provide opportunities at new media startups and streaming platforms.

Europe is another strong market, with countries such as the United Kingdom, Germany, and the Netherlands hosting leading public broadcasters and media technology firms advancing IP-based production workflows. The presence of organizations like the European Broadcasting Union promotes adoption of standards and interoperability, fueling demand for engineers familiar with these technologies.

Asia-Pacific, led by markets in Japan, South Korea, China, and Australia, is rapidly expanding media services driven by high broadband penetration and shifting consumer habits toward on-demand and mobile media consumption. Innovative uses of 5G streaming, VR/AR content, and cloud-powered media systems open roles requiring skilled engineers.

Remote and hybrid work options are growing, but many international jobs still necessitate local presence for working closely with production facilities or managing physical media infrastructure. Multilingual skills or cultural adaptability also improve prospects in multinational media companies operating global content networks.

Job Market Today

Role Challenges

The fast pace of technological evolution in media delivery presents an ongoing challenge. Media Engineers must continuously master new streaming formats, compression algorithms, and IP-based production standards, all while maintaining backward compatibility with legacy systems. Integration complexity is heightened by the convergence of IT infrastructure with traditional broadcast hardware, often requiring proficiency in both domains. Live event reliability and minimizing latency remain critical pressure points. Working across distributed teams, sometimes in different time zones, requires robust collaboration and communication skills. Security concerns, including the protection of premium content against piracy via encryption and DRM, add another operational layer. Budget constraints and rapid project timelines can restrict the scope for ideal engineering deployments, forcing compromises without sacrificing quality. Additionally, shortages of engineers with combined software, networking, and media domain expertise present hiring challenges in some regions.

Growth Paths

The proliferation of digital media platforms continues to accelerate demand for Media Engineers globally. The migration from traditional broadcast to software-defined, IP-based and cloud-native workflows creates opportunities to innovate with scalable, automated systems. Growth areas include 5G-powered live streaming, immersive media such as VR/360 video, and AI-assisted content production pipelines. OTT and streaming industry expansion fuels requirements for engineers able to enhance CDN performance and optimize transcoding at scale. The rise of remote production models also broadens employment possibilities. Meanwhile, large media corporations and emerging startups alike invest in developing custom media solutions, creating diverse paths for career advancement. Engineers who build knowledge in cloud media platforms, container orchestration, and data analytics applied to audience metrics will find increasing demand. Continuing education and specialization can lead to senior leadership roles or consulting opportunities within this evolving ecosystem.

Industry Trends

A significant trend impacting Media Engineering is the shift towards fully IP-connected media environments, replacing traditional SDI cabling with standards like SMPTE ST 2110 to transport uncompressed video over Ethernet networks. Cloud adoption for encoding, transcoding, and live production is gaining traction, reducing the need for expensive on-premises hardware and allowing elastic scalability. Real-time streaming protocols continue evolving, with low-latency formats such as CMAF and WebRTC improving viewer experience. AI and machine learning technologies are being integrated to automate metadata tagging, content moderation, and even video editing, fundamentally changing workflows. Immersive content (VR/AR) is expanding, requiring new expertise in encoding, synchronization, and network delivery. Security becomes increasingly important through encryption and rights management amid growing digital piracy threats. Interoperability and open standards remain critical priorities to reduce vendor lock-in and future-proof systems.

A Day in the Life

Morning (9:00 AM - 12:00 PM)

Focus: System Monitoring & Troubleshooting
  • Review overnight logs and system performance metrics for broadcast and streaming servers.
  • Diagnose alerts or quality-of-service issues in media pipelines and prioritize actions.
  • Coordinate with network teams to resolve latency or packet loss problems.
  • Run automated tests on encoding and streaming endpoints.
  • Prepare reports on uptime and incident resolutions for management.

Afternoon (12:00 PM - 3:00 PM)

Focus: Integration & Development
  • Collaborate with software developers to enhance media automation scripts and tools.
  • Configure new hardware devices or software upgrades in test environments.
  • Optimize codec and streaming settings based on recent user feedback and analytics.
  • Work with production teams to design workflows for upcoming live events or broadcasts.
  • Document system changes and update technical manuals.

Late Afternoon (3:00 PM - 6:00 PM)

Focus: Project Management & Training
  • Lead meetings to align stakeholders on project milestones and technical requirements.
  • Conduct hands-on training sessions for junior engineers or content creators.
  • Evaluate vendor proposals for new media technology acquisitions.
  • Plan for future system scalability and pilot testing of innovative media tools.
  • Wrap up open tickets and prepare for after-hours event support if needed.

Work-Life Balance & Stress

Stress Level: Moderate to High

Balance Rating: Challenging

The combination of live media events and the complexity of media technology systems means Media Engineers frequently face time-sensitive and high-stakes situations, which can elevate stress levels. Early mornings, late nights, or weekend shifts are common, especially surrounding major broadcasts or product launches. However, with mature processes, automation, and supportive teams, many find ways to balance workload effectively. Remote troubleshooting tools and cloud platforms have somewhat eased demands, allowing more flexible working conditions in some environments.

Skill Map

This map outlines the core competencies and areas for growth in this profession, showing how foundational skills lead to specialized expertise.

Foundational Skills

The absolute essentials every Media Engineer must master to operate core media workflows and systems.

  • Video Codec Fundamentals (H.264, H.265, VP9)
  • IP Networking Basics (TCP/IP, UDP, Multicast)
  • Broadcast Signal Standards (SDI, SMPTE ST 2110)
  • Basic Linux Server Administration
  • Media Streaming Protocols (RTMP, HLS, MPEG-DASH)

Specialization Paths

Areas to specialize in after mastering the fundamentals to enhance career growth.

  • Cloud-Based Media Processing and Orchestration
  • Low-Latency Streaming and Real-Time Media Transport
  • Automation Scripting and DevOps for Media Workflows
  • Audio Engineering and Synchronization in IP Media
  • Media Security and DRM Implementation

Professional & Software Skills

The tools and soft skills needed to succeed in a professional media engineering environment.

  • Proficiency with industry-standard NLE software (Adobe Premiere, Avid)
  • Experience with media server software (Wowza, NGINX with RTMP)
  • Python, Bash, or PowerShell Scripting for Workflow Automation
  • Strong Communication and Collaboration Abilities
  • Problem Solving Under Live Production Constraints

Pros & Cons for Media Engineer

βœ… Pros

  • Opportunity to work at the intersection of creative media and cutting-edge technology.
  • Highly dynamic and evolving field with innovative challenges daily.
  • Competitive salaries reflective of technical expertise and cross-disciplinary knowledge.
  • Strong global demand with varied roles across broadcast, film, live events, and streaming services.
  • Engagement with emerging technologies such as VR/AR, cloud computing, and AI-driven media systems.
  • Potential to work on high-profile productions and live broadcasts viewed worldwide.

❌ Cons

  • Often requires irregular hours, including nights and weekends, especially during live events.
  • High-pressure environments where technical failures can have immediate visible impact.
  • Constant learning required to keep pace with rapidly evolving standards and technologies.
  • Multi-vendor ecosystems can create complex integration and troubleshooting challenges.
  • Possible need to work in physically demanding environments with extensive hardware.
  • Stressful deadlines and the necessity to balance creative demands with engineering constraints.

Common Mistakes of Beginners

  • Underestimating the complexity of broadcast standards and protocols, leading to integration difficulties.
  • Neglecting soft skills like communication, which are crucial when coordinating with creative and IT teams.
  • Overreliance on one technology stack without understanding cross-platform interoperability.
  • Failing to properly document systems and configurations, making troubleshooting and scalability hard.
  • Ignoring end-to-end latency implications during workflow design, affecting live production quality.
  • Not investing adequate time to master scripting and automation, which limit process efficiency.
  • Overlooking the importance of security and DRM, placing media assets at risk.
  • Jumping into system deployments without sufficient testing or quality control, causing service disruptions.

Contextual Advice

  • Focus on building strong foundations in both IT networking and broadcast engineering principles simultaneously.
  • Develop scripting skills early to automate repetitive tasks and improve workflow reliability.
  • Seek internships or apprenticeships that provide hands-on experience with live production environments.
  • Attend industry events and join professional groups like SMPTE or the Society of Broadcast Engineers.
  • Always document changes and maintain clear system diagrams to aid future maintenance and onboarding.
  • Stay updated on cloud media services and how to deploy scalable streaming architectures.
  • Invest time in learning video codec behavior and how configuration affects end-user viewing experience.
  • Cultivate patience and problem-solving skills; live media troubleshooting can be unpredictable.

Examples and Case Studies

Broadcast Upgrade for a Major Sports Event

A regional sports network hired a team of Media Engineers to overhaul their broadcast infrastructure ahead of a championship tournament. The project involved migrating from legacy SDI cabling to an all-IP SMPTE ST 2110 workflow, integrating new software-defined video switchers and leveraging cloud-based media services for remote editing and streaming. The engineers managed to reduce setup time by 40% and cut latency significantly during live broadcasts.

Key Takeaway: Strategic adoption of IP media networking and cloud tools can greatly enhance operational efficiency and broadcast quality if engineers thoroughly plan integration and conduct extensive testing.

Launch of a Global OTT Streaming Service

A startup launching an international OTT platform required Media Engineering expertise to design a scalable transcoding pipeline capable of handling multiple simultaneous live streams in various codecs and resolutions. Media Engineers developed an automated cloud-based workflow utilizing AWS Media Services, integrated dynamic CDN routing to optimize global delivery, and implemented DRM for premium content security.

Key Takeaway: Automation combined with cloud elasticity allows new media enterprises to deliver professional-grade streaming services worldwide without large capital investments in infrastructure.

Real-Time VR Live Event Production

A media company specialized in immersive content production employed Media Engineers to build a network capable of supporting 360-degree VR live streaming during concerts. The complex setup required synchronization of multi-camera feeds, real-time stitching, and ultra-low latency transmission to VR headsets globally through optimized protocols and edge computing.

Key Takeaway: Emerging immersive media demands innovative engineering solutions blending traditional video technology with new real-time processing techniques to create engaging user experiences.

Portfolio Tips

A strong Media Engineering portfolio should demonstrate a broad spectrum of skills and projects that highlight both technical expertise and problem-solving capabilities. Including detailed case studies or documentation of live production systems you’ve contributed to is essential. Showcase your involvement in designing and implementing broadcast or streaming infrastructure, describing the challenges faced and solutions applied.

Hands-on projects that illustrate your proficiency with media codecs, network configuration, and workflow automation scripts are highly recommended. Providing examples of successful troubleshooting episodes or innovations in efficiency adds value. Incorporate links to any public repositories or demonstrations of media tools or scripts you have developed.

Visual aids such as system diagrams, before-and-after performance metrics, and video quality assessments can clarify your contributions. Highlight any collaboration with creative or IT teams, emphasizing communication skills.

Keep the portfolio organized and updated regularly to reflect current industry practices and emerging technologies you've mastered. Including testimonials or references from supervisors or collaborators strengthens credibility. Avoid generic lists; tailor your portfolio content to show the impact your engineering solutions had on media delivery quality and reliability.

Job Outlook & Related Roles

Growth Rate: 8%
Status: Growing faster than average
Source: U.S. Bureau of Labor Statistics, Industry Reports on Digital Media

Related Roles

Frequently Asked Questions

What education is typically required to become a Media Engineer?

Most Media Engineers hold a bachelor's degree in fields like Media Technology, Electrical Engineering, Broadcast Engineering, or Computer Science. Programs that include courses in networking, video/audio processing, and software development equip candidates well. Practical experience through internships and certifications in broadcast standards or networking further enhance qualifications.

Are Media Engineers involved in content creation or only technical support?

While primarily focused on technical infrastructure, Media Engineers often collaborate closely with content creators and production teams to enable creative workflows. They ensure the technology functions optimally so that creative personnel can produce and distribute high-quality media but typically do not engage in artistic content creation themselves.

What are common software platforms used by Media Engineers?

Popular software includes media server platforms like Wowza and AWS Media Services, video editing suites such as Adobe Premiere and DaVinci Resolve, streaming tools like OBS Studio, and scripting environments using Python, Bash, or PowerShell. Familiarity with network equipment interfaces and cloud orchestration platforms is also common.

Is experience with cloud technologies important for this job?

Absolutely. The trend towards cloud-based media workflows means knowledge of services like AWS Elemental MediaLive, containerization with Docker, and orchestration with Kubernetes is increasingly critical. Cloud skills allow Media Engineers to design scalable, flexible media pipelines that can meet growing global demand.

What are some challenges Media Engineers face during live events?

Live events place emphasis on zero downtime and minimal latency. Engineers must be prepared to troubleshoot hardware failures, network disruptions, and software glitches rapidly. The pressure to maintain continuous high-quality streams while coordinating with on-site teams adds to the challenge.

Can Media Engineering be a remote job?

Certain aspects, like cloud infrastructure management and software development, can be performed remotely. However, many roles require physical presence on-site to manage broadcasting equipment or live production setups. Hybrid arrangements are becoming more common as remote monitoring tools improve.

What certifications are valuable for Media Engineers?

Certifications from CISCO (CCNA, CCNP) for networking, Linux administration certificates, and SMPTE or Society of Broadcast Engineers (SBE) credentials focused on media standards are highly regarded. Cloud platform certifications such as AWS Certified Solutions Architect are also beneficial.

What career advancement opportunities exist in this field?

Media Engineers can progress from junior technical roles to senior engineering, lead technical director roles, or management positions. Specializing in emerging technologies like cloud media services, immersive content, or AI-enhanced workflows can open pathways to consultant or research roles.

How important are soft skills in Media Engineering?

Soft skills such as communication, teamwork, adaptability, and problem-solving are vital. Media Engineers constantly interface with creative teams and IT staff, so the ability to translate technical information clearly and work collaboratively under pressure is crucial to success.

What are typical working hours for a Media Engineer?

Commonly, Media Engineers work standard business hours, but the nature of live media often requires evenings, weekends, and on-call shifts. Flexibility is important to support broadcasts or live events scheduled outside regular office hours.

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